Claudette Losier
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#2 Transfer Art Body of Work
Throughout my 17 years of art making since graduating from Brock University in 1989 I have resorted at times to the creative technique of "transfers". I have developed a body of work that explores various ways to translate pictures or images using 3 different mediums for transfers: polyclens, bondex, and polymer emulsion. The transfer technique is a form of photo based mono printing or mark making where you transfer or remove toner from a black and white or colour photo copy onto your support. You can never recreate the same mark or image. For me it is also a form of DADA art making with your abandonment to chance working your intuition. I offer a workshop on this technique that includes using the transfer technique as a base for process art and adding other methods such as collage, encaustic, coffee for staining, etc. A workshop is being offered in the Spring April 18th 2009 through the Burlington Art Center and May 30th at Mohawk College. I learned of the polyclens transfer technique at Brock and by Pop Artist Robert Rauschenberg and added the bondex and polymer emulsion later on. This body of work I call "Transfer Stories" based on the popular phrase "a picture tells a thousand words". In 1999, I won best in show award at the Art Center of Clarington for my polyclens transfer self portrait called Emotional Currents. In 2009 I submitted some of my transfers to call for the first International juried show called NeoPopRealism in the US. My transfer works did not win any awards but have been selected for publication in book called 21st Century Art published by the team at NeoPopRealism and to be produced at end of 2009.
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Sheba Girl (Transfer Mixed Media)
First I do a blind contour drawing of my friend's cat then I transfer the photo copy image to canvas, and then colour with pastel, coffee, high lighter, acrylic inks, etc. This work will be part of cat show in 2010 for the Interlorant Gallery.
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The Gypsy in Me (Polymer Emulsion Transfer Mixed Media)
Now I am making transfers from my sketch book noodled doodles. Here is a blind contour drawing noodled of me modeling in gypsy custom that I like. Price $50.00.
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Zebra Stripes (Polymer Emulsion Photo Copy Transfer )
I sketched this picture while teaching my wildlife course with the RBG and now I am hooked at doing more wildlife. These drawings are then photo copied and its the photo copy toner that I removed and put on the canvas with polymer emulsion that becomes the art work.
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A Tulip for Mindy (Photo Copy Polymer Emulsion Transfer of Drawing)
In 2008 Mindy asked me to do this tulip drawing in black pen for her. Before handing her the drawing I made a photo copy of the original to be used in creating transfer art pieces from it since it was a strong drawing. Here I repeat the tulip in different sizes creating an interesting design/pattern.
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Seeing Through the Forest (Photo Copy Transfers)
I was exploring the polymer emulsion transfer technique with this piece from a collection of photos made into photo copies of trees, and fire that I have taken. There is one photo copy of the skeletal remains of one leave included in this piece.
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Tree Man (Blue Pen Drawing made into Colour Copy Transfer)
I did this drawing of a male nude at Brock unfinished then took it home during the summer and completed it by doodling of a variety of lines unconsciously. A friend suggested I put this into a poster form because of its uniqueness. Instead I am creating 8 x 10 inch transfer art copies of it plus I have created art cards of this image as well.
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Phantom Riders (Transfer Mixed Media)
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Happy Birthday (Polyclens Transfers)
Happy Birthday Transfer Series (Polyclens Transfer)
Carolyn Wren wrote for show ?COLLECTED STORIES side by eacy? at the Impact Artists? Gallery in Buffalo, New York, USA in 2002: ?Claudette Losier?s work, entitled ?Happy Birthday?, is a grouping of many small panels placed randomly on the wall. The 54 panels are photo transfers of variations of the same snapshot of a family birthday party. This haunting work epitomizes the dysfunctional family, sitting around the table waiting for the wish that the candled cake will bring. Losier, the third of four girls, and her mother are caught in the picture while her father snaps the photo. Losier captures a strange emptiness of a very familiar scene in her treatment of the subject. The technique lends itself to ethereal outcomes and Losier makes the most of it. By cropping and enlarging, she reduces some areas to mere abstraction. Unlike Simizu?s idealized memories of her aunt, these blurred figures are isolated, and unable to interact with each other. They stand alone in a group of introspection and grief. Like clues in a riddle, the viewer is given hints of the tension in the narrative. Family values and the clich? of the happy home are in question, and Losier?s catharsis enables the viewer to reflect on middle class belief structures.?
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Cow Patches (Bondex Transfers and Oils on Board)
In the 90?s I went through a cow phase and would stop to take pictures of cows on my bike rides to use in my paintings. This transfer art work was a collection of images of cows from my pictures where I used the bondex transfer technique to remove the toner onto these pieces of jean patches with glue on one side. I collaged them on board and added some oil paints. This work sold at an art auction.
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Happy Birthday Transfer Series (Polyclens Transfer)
Carolyn Wren wrote for show ?COLLECTED STORIES side by eacy? at the Impact Artists? Gallery in Buffalo, New York, USA in 2002: ?Claudette Losier?s work, entitled ?Happy Birthday?, is a grouping of many small panels placed randomly on the wall. The 54 panels are photo transfers of variations of the same snapshot of a family birthday party. This haunting work epitomizes the dysfunctional family, sitting around the table waiting for the wish that the candled cake will bring. Losier, the third of four girls, and her mother are caught in the picture while her father snaps the photo. Losier captures a strange emptiness of a very familiar scene in her treatment of the subject. The technique lends itself to ethereal outcomes and Losier makes the most of it. By cropping and enlarging, she reduces some areas to mere abstraction. Unlike Simizu?s idealized memories of her aunt, these blurred figures are isolated, and unable to interact with each other. They stand alone in a group of introspection and grief. Like clues in a riddle, the viewer is given hints of the tension in the narrative. Family values and the clich? of the happy home are in question, and Losier?s catharsis enables the viewer to reflect on middle class belief structures.?
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Easy In My Harness (Transfer Mixed Media)
This transfer drawing is a reuse of image of another art piece called Garden in my Heart recycling one art piece to create another. The title of the piece comes from a Robert Frost poem.
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Untitled (Transfer Mixed Media)
This transfer drawing was inspired by a performance dance that I did for Brock University?s Spring Festival.
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Sanctuary of Calm Inner Peace (Transfer Mixed Media)
This picture is a close up of this piece completed in 2001 and inspired from pictures of a Japanese Garden we visited in our Trip to Vancouver, BC. I used both the polyclens and bondex methods of transfers in this piece adding monochromatic pencil crayons of blues and greens to try to recreate on paper this lovely and peaceful Japanese Garden. In the middle of this garden was a green pool of water which I left the center of the piece green to represent this pool for reflection.
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Sanctuary of Calm Inner Silence (Transfer Mixed Media)
This piece was completed in 2001 and inspired from pictures of a Japanese Garden we visited in our Trip to Vancouver, BC. I used both the polyclens and bondex methods of transfers in this piece adding monochromatic pencil crayons of blues and greens to try to recreate on paper this lovely and peaceful Japanese Garden. In the middle of this garden was a green pool of water which I left the center of the piece green to represent this pool for reflection.
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Sense Impressions (Transfer Mixed Media)
This piece is a close up and was completed for my 2000 solo show at the Clarington Art Center. It was also included in my show Transfer Stories in May 2006 for Arts Hamilton. It is wall size that hangs from ceiling to floor. The inspiration for this piece is the season Fall and trees and our cycling adventures during this time of year in the Hamilton area. There is a quote in this painting about enjoying things we see without labeling them hence the title sense impressions.
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Emotional Currents Series (Polyclens black and white photo copy transfers)
After Brock I stared to explore self portrait like Van Go and the other great masters but mine were 3 X 5 inches. As I was painting this little paintings I would document the process by letting it dry and making a colour copy of that stage of the painting. I used this documentation to create a wall size installation that was exhibited at the Hamilton Artists Inc. I now can use these copies as a teaching tool. I also used some of the photos from this series to create another series of 8 self portraits 8 x 10 inches using the polyclens transfer technique. I love the marks created by this technique that heighten the emotions of the sitter in the photos. One of these transfer faces was submitted to the Clarington Art Show and won best in show in 1999.
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The Lister Block Project by Skydragon (Transfer Mixed Media)
Another artist gave me her pictures of the Lister Building in Hamilton, the oldest shopping mall in Canada, so that I may make copies to produce these 4 transfer art pictures and participate in Skydragon?s Lister Block Project. Its was to raise awareness with the public to stop the building?s owners from tearing this lovely building down only to recreate a replica of it.
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Bond Fire (Transfer Mixed Media)
This piece was completed in 2007. The inspiration for this piece was my pictures of a bon fire created with my Dad. It is 8 X 10 inches.
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Energy of Love (Transfer Mixed Media)
This piece was created for my show called Transfer Stories at Arts Hamilton in May 2006. The inspiration for this piece was my pictures of a bon fire created with my Dad. It is 12 X 36 inches.
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Water Fire Air Earth (Transfer Mixed Media)
This piece was created for my show called Transfer Stories at Arts Hamilton in May 2006. The inspiration for this piece was my pictures of snorkeling in the Dominican in 2004 and a bon fire created with my Dad. It is 12 X 36 inches.
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Sense Impressions (Transfer Mixed Media)
This piece was completed for my 2000 solo show at the Clarington Art Center. It was also included in my show Transfer Stories in May 2006 for Arts Hamilton. It is wall size.
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Claudette Losier is a member of the Arts Hamilton Community. This page is Copyright Claudette Losier. All rights reserved.
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